Ian Wardropper, the director of New York’s Frick Assortment, introduced that he would retire subsequent 12 months after 14 years with the museum.
Most notably throughout Wardropper’s tenure, the Frick embarked upon an bold—and at occasions controversial—$195m renovation of its residence on the Beaux Arts mansion of the Nineteenth-century industrialist and artwork collector Henry Clay Frick. (In consequence, since March 2021 the Frick has quickly relocated to the Breuer Constructing, the previous web site of the Whitney Museum of American )Artwork that was lately purchased by Sotheby’s. Wardropper will retire shortly after the official reopening of the brand new Frick, which is scheduled for late this 12 months.
“These 14 years on the Frick can have been among the many most rewarding of my profession,” Wardropper stated in a press release. “It has been an incredible privilege to understand these initiatives throughout my tenure, the reopening of our upgraded buildings being a spotlight amongst many. Following my retirement from the Frick, I sit up for engaged on various scholarly and educational tasks.”
Wardropper has spent a complete of fifty years working at museums. He was the chair of European sculpture and ornamental arts on the Metropolitan Museum of Artwork earlier than becoming a member of the Frick in 2011. Beforehand, he had been the curator of European ornamental arts, sculpture and historical artwork on the Artwork Institute of Chicago.
Other than spearheading the Frick’s first-ever complete renovation, Wardropper is usually cited as having expanded the purview of the museum to past its founder’s assortment of Previous Grasp work and European ornamental artwork. This included inviting the works of latest artists into the museum’s historic areas. The Frick’s broadly lauded Barkley L. Hendricks present is the most recent instance of the museum’s new embrace of latest artwork—Hendricks is the primary artist of color to have a solo present on the Frick because the museum’s inception in 1935.
“My purpose is to go away the establishment in fine condition programmatically and financially, and that would be the case,” Wardropper informed Robin Pogrebin of The New York Occasions. “I’m hoping I can flip it over to anyone with recent concepts.” He added that though the museum’s board of administrators is conducting a global seek for his substitute, he hopes that the Frick’s deputy director and chief curator, Xavier F. Salomon, “will likely be one of many candidates”.