The South African public sale home Strauss & Co staged a pop-up promoting exhibition in London final month devoted to the work of the mid-Twentieth-century South African artist Alexis Preller (1911-75). Held at Cromwell Place, Alexis Preller: Surreal Discovery (5-10 March) coincided with the artist’s retrospective on the Norval Basis in Cape City (till 25 November), Christie’s Artwork of the Surreal sale in London (7 March) and the centennial yr marking the founding of Surrealism. The present additionally presages extra to come back from the public sale home within the UK capital.
Regardless of the artist’s formative connection to London, his works had by no means been on present there till the opening of Strauss & Co’s exhibition. Born and raised in Pretoria, Preller labored as a clerk earlier than convincing his household to permit him to coach as an artist. He moved to London to check on the Westminster College of Artwork in 1934. After returning to Pretoria, Preller held his first exhibition in 1935, and two years later he continued his formal artwork schooling on the Académie de la Grande Chaumière in Paris. Preller additionally travelled broadly in Europe and Africa, immersing himself within the artwork and tradition of Egypt, historic Greece, the Etruscans, the early Renaissance interval and particularly southern and central Africa—all influences seen in his work.
Whereas Strauss & Co’s press assertion describes Preller as a “lacking Modernist”, the home additionally sees him becoming a extra particular art-historical mould. “Surrealism has been expanded to incorporate increasingly more artwork and artists from a worldwide context,” says Alastair Meredith, the public sale home’s head of artwork division and senior specialist, referring particularly to the acclaimed exhibition Surrealism Past Borders, which opened on the Metropolitan Museum of Artwork in New York in 2021 earlier than travelling to London’s Tate Fashionable in 2022. “We predict Preller is unquestionably an artist that falls underneath the Surrealist banner. He didn’t determine himself as a Surrealist, however if you happen to have a look at a few of his works—with floating heads, unusual spikes and eerie shadows—they undoubtedly have Surrealist overtones,” Meredith provides.
The Strauss & Co present included 20 works, 11 of which had been on the market at costs starting from £38,000 to £165,000. The remaining items had been on mortgage from personal collections in London. One necessary portray, Fetish Enthralled (1945), was being publicly displayed for the primary time in nearly 80 years; it was purchased by a diplomat from an exhibition in Pretoria in 1946 and has remained in the identical household assortment ever since. By the second day of the London pop-up, personal collections in Turin and Pretoria had acquired two works, together with The Lobster (1957).
Strikes on London
Though Strauss & Co’s web site describes the Cromwell Place present as its “first official London personal sale and mortgage exhibition”, the public sale home has held different forms of occasions within the metropolis of late. Final yr it opened a small present of sculptures by Sydney Kumalo and Ezrom Legae at The Africa Centre; in 2022 it participated in lectures and occasions surrounding William Kentridge’s solo exhibition on the Royal Academy of Arts. “We intend to try to have a minimum of one or two promoting exhibitions right here in London yearly, however I don’t suppose we have now any plans for any auctions in London but,” Meredith says.
Nevertheless, he provides, the Preller present “is the beginning of one thing larger” for Strauss & Co within the capital, the place he notes the agency has many purchasers. Kate Fellens, the public sale home’s senior enterprise improvement specialist, just lately relocated to London and “pledges to proceed [Strauss & Co’s] work in higher showcasing artists typically uncared for outdoors Africa”, based on the corporate’s web site.
The timing is true, as the marketplace for African artwork seems resilient. Meredith says Strauss & Co noticed a 2% enhance in annual turnover, to R363.7m ($19.7m), in 2023. In February, the artwork market analysis agency ArtTactic printed findings on Fashionable and up to date African artwork exhibiting the class had registered its second-highest gross sales complete ever in 2023 (behind solely 2022). “Regardless of international financial and geopolitical challenges, the African artwork market solely fell by 8.4% in 2023, in comparison with the overall artwork market which noticed a lower of round 18%,” the report states.
“There was some broader financial strain positioned on the artwork market, and we will undoubtedly see the impression of that in South Africa,” says Meredith, including that the nation’s forthcoming common election in Might has elevated the hesitancy and uncertainty within the native artwork market. “However at any time when we have now dealt with top-quality, museum-grade work, the patrons proceed to be there, each personal collectors in addition to establishments.”
