A privately-owned portrait believed to be by Caravaggio goes on show Saturday (23 November) in a “momentous” Rome exhibition for the primary time since information of it was first made public 60 years in the past.
Dated to the early 1600s, the portrait of Maffeo Barberini, the son of a Florentine nobleman who was coronated as Pope City VIII in 1623, reveals the longer term head of the Catholic church sporting a black biretta and inexperienced sleeveless cassock as he clutches a folded letter and stares intently to 1 aspect.
The portray will likely be on present till 23 February 2025 on the Palazzo Barberini, which acquired its identify when Maffeo Barberini purchased the residence from the cardinal Alessandro Sforza in 1625 and now varieties a part of the state-run Gallerie Nazionali di Arte Antica. Will probably be displayed within the palazzo’s landscapes corridor.
Caravaggio’s Portrait of Monsignor Maffeo Barberini (early 1600s) on show on the Palazzo Barberini Courtesy Gallerie Nazionali di Arte Antica
“This work is key as a result of you’ll be able to depend the variety of portraits by Caravaggio on the fingers of 1 hand,” Thomas Clement Salomon, director of the Gallerie Nazionali di Arte Antica, tells The Artwork Newspaper. “Displaying this work 60 years after consultants first attributed the work to Caravaggio is one thing unimaginable.”
The portray was acquired by its present house owners, an unnamed Florentine household, within the Nineteen Sixties. Information of the portray was first made public in 1963 when Roberto Longhi, one in all Italy’s most distinguished artwork historians, first wrote about it in an artwork journal. Half a dozen consultants—together with Keith Christiansen, a former chair of the division of European work on the Metropolitan Museum of Artwork, and Sebastian Schütze, an artwork historian on the College of Vienna—have since confirmed Longhi’s attribution.
Element of Caravaggio’s Portrait of Monsignor Maffeo Barberini (early 1600s) Courtesy Gallerie Nazionali di Arte Antica
Clement Salomon says Seventeenth-century documentary proof indicated that the Baroque artist had been commissioned to color Barberini. He provides that, previous to the brand new exhibition, additional diagnostic evaluation had confirmed the work’s provenance “past any doubt”.
Students have lengthy been divided about whether or not one other privately-owned portrait of Barberini that’s displayed at Florence’s Palazzo Corsini is attributable to Caravaggio.
The gathering of the Gallerie Nazionali di Arte Antica contains plenty of iconic works by Caravaggio, together with Giuditta e Oloferne (1599) and Narciso (1597-99). At a press convention on Friday, Massimo Osanna, the tradition ministry’s common museums director, mentioned the work’s public show was a “momentous occasion”, including: “Barberini is coming house”.
The portrait is anticipated to return to its non-public house owners after the exhibition.
