The 2 foremost satellite tv for pc gala’s of Mexico Metropolis’s Artwork Week—Salón Acme and Materials, now of their twelfth and eleventh editions, respectively—drew massive crowds to their openings a number of blocks aside the day after Zona Maco held its VIP preview. At Expo Reforma, the venue for Materials and the upstart design truthful Distinctive Design X, guests stuffed the aisles and customary areas on Thursday (6 February). The 72 exhibitors at Materials, hailing from 20 nations, embrace a powerful contingent of galleries from Mexico, Peru, Argentina and Colombia.
“This 12 months is the best share so far of galleries collaborating from Latin America,” says Brett W. Schultz, the truthful’s co-founder. “It’s necessary that Materials be a viable platform for galleries from Buenos Aires, Santiago, Lima, and so forth. And a number of the collaborating galleries from the UK and US are displaying artists who’re from Latin America, have Latin American heritage or are based mostly right here.”
New York-based Swivel Gallery, as an example, has a solo stand of works by the Cuban American artist Amy Bravo, whose mixed-media sculptures are intensely private but have a powerful materials pull with their mixtures of wax, bones, textiles, discovered objects and extra. Many works incorporate casts of the artist’s personal face, in addition to model limbs and creature imagery like spiders and bulls. The stand’s centrepiece, a human determine on arms and knees, embedded with imagery and topped with a bull cranium, bought for $14,000 earlier than the top of the opening day, whereas smaller wall-based works can be found for $7,500.
Amy Bravo’s The Strongest Man, The Residing Weapon (2024, left) and The Seamstress (2024, proper) on the Swivel Gallery stand at Materials Courtesy the artist and Swivel Gallery, New York
“Her work is about her household and her heritage,” says Aida Valdez, a Mexico Metropolis-based artwork adviser engaged on the Swivel stand. “She makes use of a number of symbolism in her work—the bull represents her father, and she or he is the spider. The work can be a little bit of a rise up towards macho tradition—she’s making very muscular sculptures.”
Muscle mass, bones, tendons and limbs of assorted types are surprisingly frequent options throughout the satellite tv for pc gala’s. Within the subsequent aisle over from the Swivel Gallery sales space, the Mexico Metropolis-based gallery Pequod Co’s stand contains inside its group presentation a sculpture by the Tijuana-born artist Andrew Roberts that consists of a hyperrealistic severed zombie leg coated in cuts and tattoos, offered in a high-end, padded carrying case. The work, Remake, reshoot, reprise: a ghoul needed to pay its debt to the solar (2024), is priced at $8,000 and incorporates medical-grade silicone and builds on the artist’s work with cinematic and videogame software program.
“His work is coping with the normalisation of violence and fixed migration throughout the Mexico-US border the place he’s from in Tijuana,” says the gallery’s co-founder and co-director Mau Galguera. “Andrew is at all times exploring the thought of otherness, and the way when the opposite just isn’t understood it turns into feared.”
Talia Pérez Gilbert’s Abominable Enter Infernal (2025) on the Sala de Espera stand at Materials Benjamin Sutton
One other severed limb emblematic of concern and otherness—additionally of Tijuanan origin—is on view in Materials’s Proyectos sector, which offers small stands freed from cost to experimental and artist-run areas, in addition to the mentorship of extra established sellers. The artwork area Sala de Espera has partially recreated its residence base in Tijuana, which is inside an deserted unlawful hospital, full with fake wooden panelling and a trio of garish ready room seats. On the center seat sits Talia Pérez Gilbert’s sculpture of a furry, disembodied hand, Abominable Enter Infernal (2025), which is priced at $1,000. Made from wax, acrylic, hair, material and a cufflink, it’s based mostly on an city legend a few malevolent furry hand, la mano peluda, and a well-liked radio present of the identical identify the place individuals name in to share horror tales.
“The set up is known as Religion, Hope and Fraud, and it’s based mostly on the headline of a Los Angeles Instances article from 1991 in regards to the physician who ran the clandestine hospital the place we’re based mostly, Jimmy Keller,” explains Luis Alonso Sánchez, who co-directs Sala de Espera with Gilbert. The stand additionally contains an appropriately scary sculpture of a screaming, Munchian determine by Luis Alonso Sánchez, a reinterpretation of a pornographic collage discovered at an underground bar contained in the deserted hospital, by Gabriel Boils Terán, and a number of works on paper by all three featured artists, priced between $100 and $200.
Sánchez provides: “We at all times speak about how Tijuana has no historical past, so we’re making an attempt to commemorate its previous on this present second of chaos and nervousness on the border.”
A sculpture by Berenice Olmedo on the Lodos stand at Materials Benjamin Sutton
The stand of the Mexico Metropolis-based gallery Lodos contains two sculptures by Berenice Olmedo, who salvages and reconfigures prosthetic limbs to create freestanding figures which might be without delay otherworldly and distinctly human. The shorter work, that includes a lumpy and clear mauve torso balancing atop prosthetic legs, is priced at $32,000, whereas a taller piece that includes lengthy, orange legs and a blue torso, is priced at $64,000.
“Berenice primarily works with supplies from the medical world,” says Javier Amescua, a gross sales affiliate on the gallery. “Her early work on this vein began as a result of whereas she was salvaging supplies from landfills she stored discovering all these discarded prostheses for infants.”
For Schultz, practices like Bravo’s, Roberts’s, Gilbert’s and Olmedo’s—and the sorts of areas championing them—are emblematic of Materials’s mission. “There’s a number of actually sturdy sculpture this 12 months, which is a change from the pandemic years, when sellers have been extra reliant on work as a result of they’re seen as a safer guess,” he says. “We’ve tried to maintain the truthful comparatively reasonably priced as a option to foster experimentation, and it appears to be working.”
Guests at Salón Acme watch Julieta Gil’s video Millefleur (Milflores) (2025) Benjamin Sutton
Salón Acme, additionally going down within the Juárez neighbourhood at Proyectos Públicos, likewise presents comparatively reasonably priced areas to exhibitors throughout its three foremost sectors: Estado, the place artists and galleries from a selected Mexican state are showcased annually (this 12 months, Veracruz); Proyectos, for solo shows, curated by the truthful’s director Ana Castella; and Convocatoria, which relies on a committee’s choice from an open name that this 12 months acquired round 1,800 submissions.
“We’re at all times how our galleries may cooperate and collaborate, discovering affinities of their programmes to allow them to share assets,” Castella says. “I like to verify the three foremost sectors gel, however we additionally need to permit room for surprises—and there are at all times surprises. The newer galleries at all times put a lot effort and professionalism into their shows.”
Alan Sierra’s per angostam viam (2025) on view in Nixxxon’s area at Salón Acme Benjamin Sutton
Among the many standout shows is a room within the Proyectos sector the place the Mexico Metropolis-based gallery Nixxxon is displaying metallic grid sculptures within the shapes of assorted physique elements—together with a hand, a butt and a torso—by the native artist Alan Sierra. Priced between $1,000 and $3,500, the sculptures construct upon Sierra’s long-running drawing follow; the gallery can be providing works on paper for $700 to $800.
“I stroll the streets on this neighbourhood daily on my option to my studio, and see all these distributors displaying their wares on these metallic grids,” Sierra says. “It occurred to me that these grids are a sort of exhibition gadget.” The butt sculpture as an example, per angostam viam (by slim paths, 2025), has varied hooks, kitschy keychains and trinkets hanging from it, together with a tiny shovel, a bunch of bananas and a crocodile. The artist provides: “I wished to make sculptures you can play with and modify.”
A piece by Florencia Rothschild within the Veracruz sector of Salón Acme Benjamin Sutton
One other playful and bawdy group of works, within the Estado: Veracruz sector curated by Rafael Toriz, is by the Buenos Aires-born, Coatepec-based artist Florencia Rothschild. Small nude figures are painted throughout greater than a half-dozen of her ceramic sculptures, starting from tiles and vases to extra summary types. By the center of the truthful’s second day (7 February), all however one—a wall-mounted work priced at $900—had bought.
Castella says nearly all of consumers in Salón Acme’s opening days have been from the US and Mexico, and that teams and representatives from North American museums—together with SFMoMA, the Institute of Modern Artwork Los Angeles and the Nationwide Gallery of Canada—visited in the course of the preview. She provides: “It’s an incredible second for the town, the gala’s and galleries are all doing sturdy work, and the gross sales have been improbable.”
Each Castella and Schultz say that fears of a potential Mexico-US commerce conflict sparked on by Donald Trump’s threatened tariffs haven’t had a measurable affect on actions throughout Mexico Metropolis’s Artwork Week. Schultz says: “For lots of the Individuals who’re right here, it is a chance to get away from all that.”
Materials, till 9 February, Expo Reforma, Juárez, Mexico CitySalón Acme, till 9 February, Proyectos Públicos, Juárez, Mexico Metropolis
