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Comment | Want to truly read a painting? Forget the present, and focus on the past – The Art Newspaper

November 16, 2025
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How do you ‘learn’ a portray? Can a portray even be learn in any respect? I used to be invited to debate this by the author James Marriott on his podcast Cultural Capital. Like many gallery guests, Marriott puzzled if we want some sort of instruction to take a look at artwork and perceive it. My reply was unhelpful: sure and no.

Our quest to grasp artwork begins with a problem, as a gallery encourages us to see artwork artificially. We’re offered with a mass of work stripped from their authentic context. Within the Nationwide Gallery in London, up till the 18th century most likely a lot of the artwork on show was made to hold in a non secular setting. The deep beliefs of the folks taking a look at such photos meant they have been subconsciously understood as a lot as learn. With out that context, and offered didactically as parts within the story of artwork historical past quite than religion, such work can seem puzzling, even off-putting.

Residing context

Probably the most transferring artwork expertise I ever had was being proven Giovanni Bellini’s Frari Triptych (1488) in Venice by the priest of that church. So far as he was involved, the portray was before everything a tangible illustration of the Son of God, the Virgin Mary and the saints round them. The portray represented his religion and strengthened it. Hanging in the identical place it was made for and in its authentic body, it was as contemporary and purposeful for him because it had been for his predecessors over 500 years in the past.

A contemporary instance is Banksy’s latest graffiti on the aspect of the Royal Courts of Justice. The picture of a placard-holding protestor being crushed by a gavel-wielding choose is interpreted by its viewers with ease. Days earlier than, lots of of protesters in London had been arrested for supporting the controversially proscribed organisation Palestine Motion. We all know what Banksy’s picture is about, as a result of we live the context wherein it was made. But when we have been to reside 200 years therefore, and Banksy’s picture was hanging in a gallery, the duty can be more durable. Any label hanging beside it must clarify each facet of the picture, from gavels to Gaza. And who is aware of what the political setting is perhaps sooner or later? Will protest as an idea exist?

Adjustments of method

Additionally it is stunning how continuously artwork historic strategies of interpretation change over time. For these like Ernst Gombrich, whose good The Story of Artwork was printed 75 years in the past, the primary function of interpretation was aesthetic, discerning types and attributions as a way of ordering the canon of artwork historical past. I’m generalising, however it was extra about taking a look at photos than studying them. The response towards this method, starting within the Nineteen Seventies, noticed new strategies of interpretation emerge as students grew to become extra fascinated by artwork’s wider contexts: social, financial, political, gender and so forth. Studying an image grew to become a way to grasp the broader historical past of the time.

The latter method has many deserves however is weak to subjectivity, particularly on the subject of politics. For Marxist artwork historians equivalent to John Berger, the true nature of the capitalist previous is there for us to see in artwork, and it displays the current. “If we will see the current clearly sufficient,” he mentioned, “we will ask the best questions of the previous.”

I desire my artwork historical past to be much less about in the present day. That’s why my first recommendation to anybody eager to know the right way to learn a portray is to grasp the context wherein it was made, not the context wherein we see it. Typically, one of the best ways to grasp the previous is to overlook the current.



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