The travelling exhibition Woven Histories: Textiles and Fashionable Abstraction is making its last cease on the Museum of Fashionable Artwork (MoMA). The expansive present explores weaving via the lens of abstraction. Round 150 works of varied mediums examine shared histories and contextualise weaving as holding a particular resonance throughout the context of abstraction.
Lynne Cooke—the senior curator of recent and up to date artwork on the Nationwide Gallery of Artwork in Washington, DC—organised the exhibition in collaboration with MoMA, the Los Angeles County Museum of Artwork (the place the present first opened in September 2023) and the Nationwide Gallery of Canada in Ottawa.
Cooke says that, lately, she has seen a “surge” in weaving within the practices of each mid-career and rising artists. “I used to be thinking about why it was weaving somewhat than stitching or the home crafts,” she tells The Artwork Newspaper. “The talent units in weaving are very complicated to study and do. I used to be struck by the variety of artists who had been utilizing the orthogonal grid to make patterns, which come from a structural interlace and are typically a geometrical abstraction.”
She provides: “The extra I appeared into it, the extra I realised that it’s there from the start—within the histories of abstraction and canonical histories that come from issues like metaphysics, or Mondrian or Malevich, or the method of distillation and discount of kinds. There’s the identical abstraction in textile-making.”
Every iteration of the exhibition has been totally different due to variances in gallery area and viewers—which “impacts how exhibits are obtained and offered”, Cooke says—in addition to conservation wants, since many textile works can’t be moved or displayed for lengthy intervals of time.
At MoMA, the place Woven Histories was organised in collaboration with the curator Esther Adler, it responds particularly to the museum’s historic engagement with the Bauhaus. The present includes a collection of works by Anni Albers, together with her Free-Hanging Room Divider (round 1949)—a suspended grid woven from cellophane and horsehair that evokes Peruvian weaving and dates to the artist’s first solo exhibition at MoMA in the identical yr it was made.
One other work distinctive to MoMA’s iteration is Wall Hanging (1924) by Gunta Stölzl, a Bauhaus professor who developed the weaving workshop on the college. The piece amalgamates a sequence of horizontal bands produced from supplies like wool and steel thread that illustrate the varied strategies of weaving and its limitations and potentialities.
The exhibition additionally contains a number of artists who could also be much less acquainted to audiences, just like the late Ed Rossbach (1914-2002). Rossbach was skilled in weaving and ceramics however by no means pursued gallery illustration in his lifetime. An influential artist and textile historian, he wrote a number of books arguing for basketry to be thought-about a type of effective artwork somewhat than craft.
“Basketry precedes looms and is present in each tradition since early human historical past,” Cooke says. “It’s attention-grabbing to see its renaissance in up to date artwork starting within the Nineteen Sixties—and now in a extra globalised artwork world, the place artists are drawing on their cultural traditions. You may see it within the work of a number of artists we consider as up to date artists, not as craftspeople, equivalent to Jeffrey Gibson.”
Cooke provides that the exhibition prompts questions round broader humanitarian and environmental issues. “Textiles are usually not nearly aesthetics or social coding,” she says. “Outsourcing and offshore textile-making contain oppressive and exploitative labour circumstances and environmental harm. Plenty of artists deal with these questions, not simply via textiles however via different mediums that get at these vital points.”
A number of artists included within the present presently have solo exhibitions in New York that relate to and develop on their works at MoMA—together with Teresa Lanceta at Sikkema Malloy Jenkins (till 17 Could), Ellen Lesperance at Derek Eller Gallery (till 24 Could) and Igshaan Adams at Casey Kaplan (till 25 July).
Woven Histories: Textiles and Fashionable Abstraction, Museum of Fashionable Artwork, till 13 September
