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A Clara Peeters self-portrait and the only work for which Gandhi posed are among this summer’s auction highlights – The Art Newspaper

July 3, 2025
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Clara Peeters, A presumed self-portrait with a lavish show of objects in a vanitas nonetheless life and a nonetheless lifetime of flowers in a glass vase (round 1610)

Previous Grasp and nineteenth Century Work Night Public sale, Sotheby’s, London, 2 July

Estimate: £1.2m to £1.8m

Whereas each the attribution and the topic have been the main focus of debate for hundreds of years, Sotheby’s posits this portray is a self-portrait by Clara Peeters. A uncommon profitable girl artist within the early seventeenth century, Peeters is understood for hiding miniature glimpses of herself within the reflections of goblets and lids of the still-lifes well-liked throughout her lifetime. Sotheby’s presumed self-portrait is one in every of solely two identified works that includes figures in Peeters’s catalogue, of which some 40 work have survived to the current day. The vanitas still-life has been hidden away in non-public collections for a lot of the previous a number of centuries, and final offered for £28,000 when it appeared at public sale in 1994. If it sells towards the excessive finish of its estimate, it’s going to surpass Peeters’s file at public sale set in 1998, when one in every of her still-lifes fetched 10.1 million French francs ($1.6m).

Clare Leighton, Portrait of Mahatma Gandhi (1931)

Journey and Exploration, Bonhams, London, 7-15 July

Estimate: £50,000 to £70,000

This portray of Mahatma Gandhi, referred to as the “Father of the Nation” in India, is believed to be the one one the resistance chief posed for in his lifetime. The British artist Clare Leighton was launched to Gandhi via her relationship with the left-wing political journalist Henry Noel Brailsford. Because of that connection, Leighton had virtually unprecedented entry to Gandhi through the time of the Second Spherical Desk Convention, when he was dwelling in London’s East Finish. After her portraits had been exhibited in London in 1931, Gandhi’s private secretary, Mahadev Desai, wrote to Leighton and mentioned: “It was such a pleasure to have had you right here for a lot of mornings doing Mr. Gandhi’s portrait …. a lot of my pals who noticed it … mentioned to me that it was an excellent likeness”. Since then, the portrait has remained in Leighton’s household, who say that the portray was as soon as knifed in a 1974 assault by a member of the Rashtriya Swayamsevak Sangh, a right-wing Hindu nationalist group.

Max Beckmann, Grosser Steinbruch in Oberbayern (Giant Quarry in Higher Bavaria) (1934)

Tales from The Artwork Crypt: Works from The Richard Feigen Assortment, Dreweatts, London, 2 July

Estimate: £500,000 to £700,000

Max Beckmann’s scene of a tough stone quarry encroaching on a Bavarian forest hums with an underlying stress. Removed from an unpolitical panorama, the distinction of nature and industrialisation and the storm clouds within the sky mirror the anxieties of 1934 Germany. Adolf Hitler had been appointed chancellor the yr earlier than, and Beckmann grew to become a goal of the Nazi Occasion’s suspicions for his “subversive tendencies”. Beckmann misplaced his instructing job in Frankfurt and moved to Berlin, from the place he and his spouse Mathilde regularly visited her mom in Ohlstadt, Higher Bavaria. In accordance with Dreweatts, Beckmann solely accomplished 11 canvases throughout his time in Ohlstadt. In 1937, Beckmann and Mathilde escaped to the Netherlands after which the US, by no means to dwell in Germany once more. Grosser Steinbruch in Oberbayern comes from the gathering of the late Richard Feigen, who was the main Beckmann supplier within the US earlier than he died in 2021.

Courtesy Christie’s Pictures Ltd

Philip Pearlstein, Two Fashions with Giraffe and Chicken Masks, Chrome Chair and Bookshelves (2016)

First Open, Christie’s, New York, 3-18 July

Estimate: $50,000 to $70,000

Two Fashions exhibits two feminine topics lounging, one on a chair and the opposite draped on a sculpture of a giraffe. One wears a masks, and neither appears in the direction of the viewer. The unerotic nudity, the small, homey particulars like a bookshelf and blankets, and the unengaged fashions within the portray create an unsettling “intimate but remoted” ambiance, in response to Christie’s. Philip Pearlstein started his portray profession displaying Summary Expressionist work, however within the early Sixties turned in the direction of the stark, Realist nudes he’s remembered for at this time. It marked a shift in his personal model, in addition to the summary work hottest amongst artists working in New York on the time. Pearlstein was referred to as a trailblazer for his affect within the reinvigoration of sensible portraiture in American artwork. This portray comes from the gathering of Joel and Carole Bernstein, whose acquisitions centered totally on the human determine.



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