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How (Le) Poisson Rouge Went From Idea to Music Destination

July 15, 2025
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David Handler embodies the traditional line: “For those who construct it, they are going to come.”

After graduating from the Manhattan College of Music, the violinist and composer wasn’t pleased with the areas accessible for audiences to expertise dwell classical music. “The prices had been prohibitive, and the live performance rituals had been complicated — when am I allowed to cough?” he advised Entrepreneur. “I noticed there was an issue of packaging that was disassociating youthful listeners from the music I had an virtually non secular devotion to. Not simply classical music, however actually formidable deep listening sort of music.”

In 2008, he and classmate Justin Kantor based (Le) Poisson Rouge, a music and multimedia artwork venue, within the spot that was as soon as residence to the legendary New York Metropolis jazz membership The Village Gate. Since opening its doorways, LPR has turn out to be identified for internet hosting performances by boundary-pushing artists, in addition to intimate reveals from icons like Thom Yorke, Yo-Yo Ma, Woman Gaga, Iggy Pop, Lorde, Beck and Philip Glass.

Handler spoke with Entrepreneur about how he turned his ardour right into a thriving enterprise and supplied his finest recommendation for many who dream of bringing their inventive imaginative and prescient to life. (Solutions have been edited for size and readability.)

New York Metropolis has so many music venues. What did you’re feeling was lacking whenever you launched LPR?The music that we now hear in live performance halls was performed in chambers that rather more intently resembled a jazz membership. The music was a dwelling, respiration factor, and other people had been interacting with it otherwise. There was much less pretension. On the time we determined to open LPR, it appeared like there was this reciprocal curiosity — artwork establishments needing extra spontaneity and nightlife needing somewhat bit extra substance. So I wrote a marketing strategy to try to revive the humanities and deepen late-night tradition in New York Metropolis.

Singer-songwriter Julian Velard performs at LPR. (Picture Credit score: LPR)

How did you get began writing your marketing strategy?I used to be 27 years previous, and it was a tall order. I had by no means managed a bar, not to mention opened a spot. So in my pitch, I advised would-be buyers who had been already donors to uptown establishments and mentioned, “Look, I’m a conservatory graduate, I’ve a finger on the heart beat of what’s additionally cool as a teen. For those who give me a fraction of what you are donating to Carnegie Corridor or the Metropolitan Opera Home, I’ll increase listenership and viewers, and also you may even see a return, which you’ll definitely by no means see from a donation.”

Associated: This Band Has Thousands and thousands of Streams on Spotify. The Solely Drawback — the Music and the Band Members Have been Generated by AI.

How did you find yourself the place the Village Gate as soon as stood?The Village Gate has a very illustrious cultural historical past. However in between the Gate and LPR, it was a nightclub known as Life. And that induced a number of issues. I principally needed to bust out my violin at neighborhood board conferences to show that I used to be not only a punk eager to wreck the neighborhood. And alongside the way in which, we picked up a relationship with John Storyk, who designed Electrical Woman Studios for Jimi Hendricks. After I advised him I used to be going to do all the pieces from metallic to string quartets to pull bingo nights, he was down and determined to assist create this area that we now know as LPR.

You had been educated as a musician. What do you assume gave you the boldness to pursue entrepreneurship?I noticed a spot. You hear individuals speak about type of stumbling onto success or main along with your coronary heart. That is me. It was a mission that I used to be actually enthusiastic about, and it was very pricey to me. I virtually did not consider it as a enterprise as a lot as a technique of supply or a approach of spreading the gospel of the music and artwork I believed in. Earlier than algorithms and suggestion engines, I made bespoke music mixes for buddies. I had buddies who listened to metallic and so they did not know Stravinsky. So I would be like, “You possibly can hear the identical dissonance within the music in a few of this new stuff.” That was thrilling to me. A purely business-minded concept would not work for me as a result of it exists just for that enterprise finish. This works as a result of there’s a lot ardour behind it.

Associated: As Gen Z Embraces Bodily Media, This Entrepreneur Launched a New CD Music Service: ‘I am Packaging All These Orders Nonstop’

Any moments that stand out to you as feeling like your plan was working?I bear in mind happening the road one evening and talking with somebody who flew right here from South America to see a present. And then proper subsequent to them was any person who had no concept what they had been in line to see. However as a result of it was at LPR, and we earned their belief via another evening, they had been like, “I do not know this style, however I’ll give it a shot at LPR as a result of I do know that the usual is excessive.”

What would you advise to somebody studying this who desires of opening their very own music or artwork venue?There are a number of location-specific logistics. In New York, as an example, among the hardest stuff was getting a liquor license. And there is this bizarre triangle of getting a liquor license and funding and signing a lease. You possibly can’t signal a lease or get funding till you possibly can promote liquor. And let’s face it, that is the place you are going to make your cash. If you do not assume you are within the bar enterprise by opening a music venue, you are kidding your self. And you may’t get a liquor license earlier than you may have a spot to promote it. So there’s a number of chicken-and-egg happening. However apart from logistics, I believe it is about having a transparent, distilled-down imaginative and prescient of what the market wants and delivering it in an uncompromised approach. However that does not imply that you do not evolve. We simply partnered with KYD Labs to turn out to be one of many first main US venues to maneuver all ticketing absolutely to blockchain expertise. And all the time consider what success means to you. I’ve to take a look at numbers for the enterprise, however honestly, that is not what guides me. It is the deeper stuff in my life, in my household, in my very own artwork and the artists we work with — these are the metrics that I wish to dwell by.

Associated: Finest-Promoting Writer and Cartoonist Stephan Pastis on His Inventive Course of: ‘I Usually Look All the way down to Make Certain I Have Pants On’

David Handler embodies the traditional line: “For those who construct it, they are going to come.”

After graduating from the Manhattan College of Music, the violinist and composer wasn’t pleased with the areas accessible for audiences to expertise dwell classical music. “The prices had been prohibitive, and the live performance rituals had been complicated — when am I allowed to cough?” he advised Entrepreneur. “I noticed there was an issue of packaging that was disassociating youthful listeners from the music I had an virtually non secular devotion to. Not simply classical music, however actually formidable deep listening sort of music.”

In 2008, he and classmate Justin Kantor based (Le) Poisson Rouge, a music and multimedia artwork venue, within the spot that was as soon as residence to the legendary New York Metropolis jazz membership The Village Gate. Since opening its doorways, LPR has turn out to be identified for internet hosting performances by boundary-pushing artists, in addition to intimate reveals from icons like Thom Yorke, Yo-Yo Ma, Woman Gaga, Iggy Pop, Lorde, Beck and Philip Glass.

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