Ai Weiwei’s public artwork set up Camouflage goes on view 10 September on the southern tip of Roosevelt Island, straight throughout the East River from the United Nations and in tandem with its 2025 Common Meeting—the eightieth session since its founding on the finish of the Second World Struggle. On the Franklin D. Roosevelt 4 Freedoms State Park, designed by the architect Louis Kahn in 1973 and realised posthumously in 2012, Ai is draping the memorial to President Roosevelt in material the artist designed with silhouettes of cats to reinterpret ubiquitous camouflage patterns used as a way of concealment in wartime.
“It’s a deeply militarized image,” Ai says of the tent-like construction, supported by scaffolding, that protects, or shrouds, the memorial celebrating Roosevelt’s 4 Freedoms—of speech, of faith, from need and from worry—espoused in his 1941 presidential tackle to the US Congress. “Presenting such an set up is critical in a world marked by ongoing wars and the specter of even better battle.”
Artwork X Freedom
Camouflage marks the launch of Artwork X Freedom, the 4 Freedoms Park Conservancy’s new annual commissioning programme of public artwork supposed to encourage dialog round problems with social justice. “Let’s attempt to add the ability of public artwork at a park, near the UN, that’s devoted to authorities for the nice,” says Howard Axel, the conservancy’s chief government, who’s keen on compelling extra individuals to make the brief pilgrimage to the three.5-acre park.
Ai Weiwei’s Camouflage is a part of a brand new public artwork fee programme at 4 Freedoms Park on Roosevelt Island
© Ai Weiwei. Rendering by Brooklyn Digital Foundry, courtesy of Camber Studio
Like many New Yorkers, the acclaimed 68-year-old Chinese language artist and activist, who now lives in Portugal, had by no means been to the park earlier than touring it final November with Axel. On the triangular tip of the island, dramatically sited between Manhattan and Queens, Kahn designed two lengthy alleys of Linden bushes converging at a colossal bronze head of Roosevelt, poised inside a granite area of interest. Carved on its bottom is an excerpt from his 4 Freedoms speech. This presides earlier than a sq. open-air plaza, what Kahn referred to as “the room”, outlined on going through sides by a sequence of 6ft by 6ft by 12ft-high granite blocks spaced one inch aside.
“Kahn was very conscious of the truth that Roosevelt is taken into account the architect of the UN,” says Gina Pollara, the manager director of the park who oversaw its constructing from the schematic plans Khan produced a yr earlier than his dying. She describes this “room” as Kahn’s interpretation of a Greek temple in addition to of the UN as an organisation of particular person member states that compose one thing bigger. “Roosevelt used to say that each one the issues of the world may very well be solved sitting round a eating room desk speaking.”
The disguise of fact

Ai Weiwei’s Camouflage is a part of a brand new public artwork fee programme at 4 Freedoms Park on Roosevelt Island
© Ai Weiwei. Rendering by Brooklyn Digital Foundry, courtesy of Camber Studio
Now Ai’s camouflage material will cowl the room and solid dappled gentle on guests, prompting issues of “what wants safety and what requires the elimination of disguise to disclose fact”, the artist says. Contained in the tenting, LED lights spell out a proverb in Ukrainian meaning: “Wars that deliver distress to some could also be ‘pricey moms’ to others.” Ai has additionally collaborated with the artist-run organisation For Freedoms that’s offering ribbons printed with every of the 4 Freedoms, on which individuals can write their very own messages. These might be affixed to the camouflage netting throughout the exhibition.
Ai’s cat motif was impressed partially by seeing the out of doors Cat Sanctuary & Wildlife Rehabilitation Middle simply exterior the doorway to the 4 Freedoms park. In human disasters reminiscent of wars, pandemics and environmental crises, “cats are among the many first to endure”, Ai says, seeing them as emblematic of life’s most harmless and simply manipulated.
Embedded someplace inside his camouflage sample is a single canine, which eagle-eyed viewers can have enjoyable looking for. “It’s not solely playful but additionally symbolic,” Ai says. “Amongst all of the animals we love, there are totally different varieties. If we can’t permit those that are totally different to exist, civilisation itself would stop to exist.”
Ai Weiwei: Camouflage, 10 September-10 November, 4 Freedoms Park, Roosevelt Island, New York








