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The Davos arts programme: ‘Art ventures where policy briefs and position papers cannot go’ – The Art Newspaper

January 21, 2026
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In moments of worldwide uncertainty, when polarisation fractures societies and digital acceleration reshapes our each day actuality, the necessity for real dialogue has by no means been extra pressing. On the World Financial Discussion board’s Annual Assembly in Davos, we collect annually to confront the world’s most urgent challenges. But even amid financial forecasts, geopolitical conversations and technological breakthroughs, one important power stays quietly embedded on the coronary heart of our collective endeavour: the humanities.

Rooted on this yr’s overarching theme, A Spirit of Dialogue, the Arts and Tradition Programme invitations leaders from each sector to have interaction with creativity not as ornamentation, however as an indispensable framework for understanding our shared humanity. By works spanning efficiency, set up, immersive expertise and participatory expertise, the programme seeks to exhibit a easy however profound fact: the humanities stay considered one of our strongest instruments to foster empathy, ignite creativeness and catalyse collective motion.

At a time when discourse is flattened into sound bites and algorithms form what we see, the humanities remind us of one thing important: dialogue is just not merely the alternate of knowledge however the assembly of interior worlds. Artwork ventures into areas the place coverage briefs and place papers can’t go, providing nuance, ambiguity and emotional resonance. It creates room to replicate on who we’re, who we aspire to be, and the way we would bridge the widening gaps between us.

This yr’s Arts and Tradition Programme is anchored in three thematic pillars: Human Presence within the Digital Age, Custom and Innovation and Connection and Collaboration, which information a curatorial method balancing mental rigour with immersive engagement. Every creative encounter is designed to develop into a catalyst for connection.

The programme opens with a live performance that encapsulates this very intersection. The Mahler Chamber Orchestra, joined by the world famend violinist Renaud Capuçon, performs classical repertoire accompanied by a real-time, AI-generated interactive visible set up by the artist Ronen Tanchum. With every observe translated into dynamic digital imagery, the efficiency turns into an exploration of how heritage and innovation can harmonise somewhat than collide. It’s a dialogue between previous and future, craft and code, human intention and computational chance.

Embracing plurality

Within the second half of the live performance, the multi-Grammy Award-winning composer and musician Jon Batiste extends this dialog. Few musicians mix genres with such fluidity, and few performers embody so clearly the idea that music is a common language. Batiste’s work reminds us that creativity thrives not by means of uniformity however by means of the interaction of various traditions, views and voices. His efficiency turns into a name to embrace plurality and to hear, really hear, to 1 one other.

Throughout the programme, creative voices act as mirrors and bridges, reflecting the complexity of our shared world whereas opening new channels of connection. Thijs Biersteker’s set up Forestate, created in collaboration with Unesco, transforms Unesco-validated International Forest Watch knowledge right into a visceral, time-based sculpture. By a choreography of showing and disappearing leaves, the work provides type to the shifting rhythms of worldwide forest loss and renewal. In an period overwhelmed by statistics, it interprets knowledge into feeling, making the cycles of loss and renewal speedy and inconceivable to miss. Right here, artwork capabilities as each witness and warning.

Collaborating at Davos for the primary time, Marina Abramović gives a special type of intervention. THE BUS, her cellular set up, is an invite to decelerate radically. In a world outlined by fixed acceleration and productiveness, Abramović asks us to reclaim presence, to pause, breathe and keep in mind that reflection is just not the alternative of progress however its prerequisite.

Ronen Tanchum’s Human Atmospheres, a Discussion board-commissioned massive scale paintings, positions AI not as an exterior instrument however as a collaborator. This immersive atmosphere responds to members’ gestures and proximity, making a dwelling digital ecosystem formed by human presence. The set up challenges us to rethink boundaries between bodily and digital area and to think about how expertise would possibly increase, somewhat than erode, human connection.

Within the artist JR’s Wrinkles of the Metropolis, reminiscence itself turns into monumental. By elevating portraits of aged residents onto public surfaces, JR restores visibility to generations who maintain our collective histories, generations too usually neglected in cultures captivated by youth and novelty. His work reminds us that progress with out reminiscence is fragile.

Driving societal change

The Arts and Tradition Programme is greater than a showcase of inventive excellence, it’s a platform for reimagining how tradition can drive societal change. This yr, we’re joined by cultural leaders whose work bridges creativity and influence. Included within the AM26 Cultural Leaders cohort are the Recording Academy chief government Harvey Mason Jr.; the author and advocate Suleika Jaouad; the writer and activist Katie Piper; and the inspirational management strategist Hiro Iwamoto, the primary blind sailor to cross the pacific ocean. Their presence underscores a core conviction of the programme: creativity is strongest when mobilised towards goal.

In Davos, the place world narratives are formed and future pathways charted, the humanities function a reminder of the human stakes behind the headlines. They problem us to assume otherwise, really feel deeply and picture boldly. As we face a world remodeled by digital disruption, ecological disaster and social fragmentation, the humanities provide not escape however orientation. They assist flip dialogue into understanding, understanding into empathy, and empathy into motion.

And inside that alchemy lies our biggest hope for a extra related, considerate and responsive world.

• Joseph Fowler is the top of arts and tradition, World Financial Discussion board



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Tags: artArtsbriefsDavosNewspaperPapersPolicyPositionprogrammeVentures
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